Bausaal, Galerie im Saalbau, Berlin, 2019

Ice Cream, 2018

Movement Study (Medina), Tunis, 2018

Movement Study, 2018, Parkhaus Rose, Hildesheim

Versehrt. Intervention in a church, Arnsberg, 2017 (Link to video)

Movement Study one, Cologne 2017

Archeological Record, collaborative research work, RAE, 2017

Three interventions in public space, Gibraltar, 2016

The Gibraltar Postcard Exchange Project (Link to Blog)

Walking On Thin Ice, 2015/2016

Intervention at „Wechselraum“, Berlin 2015

Bergen, 2014/2015

Le ciel dans un verre / Le ciel dans une chambre, 2014

Shadows Of The Future, 2012-2017

Expedition, 2014

Borders And Lines, 2013

Playground Love, 2013

A Secret Garden, 2013

Inverted Invasion, 2011-2013

Auseinandernehmen, 2012

Nester, 2011

The Owl/ Die Eule, 2011

Hole Head, 2011 / 2012

Watery World, 2010

Approximately Infinite Universe, 2010

Fear of Falling, 2010

Home Before Dark, 2010

Ghosts as Guests, 2010

Kijken / To look, 2009

Eine Höhle für Platon, 2009

Medusa 1 / Medusa 2, 2009

I Love You But You Destroy Me/ About The In-Between, 2009

Plan und Planet, 2008

Turning Cities, 2008 - 2013

Lampenmemorial, 2008

Behausungen im Dschungel, 2008

Die Sehnsucht der Zellen, 2007

Nebensonne, 2007

Luna Park/Carousel, 2007


While observing my work, I want the spectator to enter an environment that is both poetic and threatening, balancing on the verge of dreams and nightmares. In the tradition of the ‘collage’, I create (moving) images and spaces where the original objects remain visible, but faded, so that a number of associative interpretations may be possible. I try to achieve this through transforming banal and everyday objects through light projections, and to transform them to unexpected proportions and interpretations.

Each object retains its own functionality within the installation, but it is invariably connected to a bizarre, narrative and complex imaginary world. I am interested in different visual layers. Behind the trusted run-of-the-mill foreground, I am searching for moments of confusion and alienation, for apparitions that may try to ‘break open’ a normal perception.

In an ‘obstacle course’ of installations, various projections, video loops, photography, site specific interventions and a great range of combined materials, I want to explore the boundaries of analogue and digital, light and shade. Using different projection methods – from office lamp to beamer – I create images. 

I refer to the apparent static state of everyday affairs, which are, in reality, subject to constant change, to create allegorical, sometimes stirring worlds of pictures which, though man is absent from them, nevertheless indicate his actions and his standards in a field of tension spanning emotion, technology, architecture, society and nature.